Monday, October 3, 2022

Five Years Later…

Last week marked the fifth anniversary of Progressives Chat.

This week, I will give my two-cents on where progressives—actual progressives—are at here in 2022.

I will also mention where I am at.


The Democratic Party Establishment succeeded in having defeated the actual progressives electorally and politically. For the time being. Electorally—certainly. Politically—yes, as well, but not in a way which is guaranteed to be permanent. (That cannot be guaranteed.)

Politics, like life, is continuous. All the election cycles one may experience in one’s lifetime—no matter the type of election cycle (presidential; midterm)—is not the last given election that will ever be. Despite the hyperbole, from whomever and from one election cycle to the next, that it is not reality. That is not history. That is not life.


The Democrats have won three of the last four United States presidential elections. The history indicates this is an example of being in a realigning period. That, since 2008, a Democratic pickup year for Barack Obama, we are in a realigning period in which the presidency is with the Democrats. That this will play out for at least 70 percent of this given period, which began in 2008, and will run for 30-plus years. The last four cycles—2008, 2012, 2016, and 2020—have been the inverse of what occurred 40 years prior. The Republicans, with a realignment favoring them beginning in 1968, a Republican pickup year for Richard Nixon, won three of four through 1980. The Democratic win was in 1976 with Jimmy Carter, from that period, as has this period’s Republican win came in 2016 with Donald Trump. And, for another parallel, the nation’s citizens and voting electorate wanted a 1980 Carter out just like they did with a 2020 Trump.

I was born in 1971. Richard Nixon was U.S. president. The Republican Party was dominant especially during my childhood (when they won four of five cycles during the 1970s and 1980s). The Democratic Party was considered the joke. That is, if you think of the presidency of the United States as the measurement of worthiness. The be-all, end-all. (And there are people who do.) Now, 40 years later, it’s the opposite—that the Republican Party is considered the joke.

While it is good to know the score, or at least be able to keep track as best as one can ask of himself, it doesn’t mean much if you are being left behind.

The Democrats, in their current form, are doing just that. In last year’s gubernatorial election in Virginia, the No. 12 most-populous state in the nation, and which realigned to the Democrats for U.S. President beginning in 2008, the electoral outcome was a Republican pickup for Glenn Youngkin. (The Democrats nearly lost the governorship of New Jersey, the nation’s No. 11 most-populous state.) Following that result, in Virginia, Substack’s Shant Mesrobian tweeted the following:




Even with that predictable result, it is (has been) intentional. For example: With the abortion issue, and the Democrats not codifying into law the U.S. Supreme Court’s 1973 decision on Roe v. Wade, I noted in a 2022 blog topic, ‘Since 1912’, that this was intended by the Democrats. Meaning: I don’t buy into any attempt by Loyal Democratic Voters to excuse or explain away the Democratic Party, which they predictably do when they respond to criticisms and failures, for what I recognize is (has been) intentional.

The Democrats, in their current form, are now as follows: They rig their primaries; they are McCarthyites; they wanted to force vaccinations; and they are for censorship.

The Loyal Democratic Voters, in their current form, are reminding me of the presidency of a 2000s George W. Bush and that period’s Loyal Republican Voters. Here in the 2020s, the Loyal Democratic Voters have no concern for what is coming out of the Joe Biden presidential administration. They have no concern for what is needed for people and for this country. They simply want to…belong. To belong to their party. And they want everybody to back their party. They are on a team—Team Blue. That whenever an election is coming up—and federal elections are scheduled every year—they want their team to win. They will never tell you precisely what they figure they will win or, if their team prevailed, did win. (They are not able.) 


When I think about this blog, Progressives Chat, and that the five-year anniversary of its launch has passed…I want to state what has been forgotten by some. (Not here; but elsewhere.) It calls for going back to…basics.

I voted the 2016 and 2020 Democratic presidential nomination to Bernie Sanders not because I personally adore (adored) the man. I voted for him because of the vision he had was one which best-matched with what I recognized is necessary. (I am not alone.)

Leading on policy issues has (had) been Medicare for All. That has (had) been followed by a federal minimum wage of at least $15 per hour. That it is (was) followed by making college tuition free. 

Approximately 50 percent of the nation’s people, who have employment, are earning $35,000 or less per year. (Gross income.) We have not only an income problem…we have an insufficient income problem. People are underpaid. It is not just a problem but a crisis.

We also have an infrastructure problem. I am referring to the infrastructure for traveling. For getting around. That our current system is decades behind. 

The biggest problem we have is that our government is bought and sold. Everything you can name that is an issue and which is actually solvable—like reallocating the federal budget and allocating to where that money is needed—gets blocked. It gets blocked, for one, in favor of incessant wars. One war followed by the next.

The U.S. has had the money—as it does now—to: end poverty; to bring people’s incomes in line with this current period in history; to deliver a healthcare and health-insurance system (that does not take apart people financially); to make college tuition free; to modernize our traveling infrastructure; and more.

Where we are at, with what I pointed out, and what else may be considered, is (has been) intended. 


Now I am going to mention what I am intending:

With the 2022 midterm elections scheduled for next month—on Tuesday, November 8, 2022—I will do the following (before I do anything more or else): I will not vote for any person who is affiliated with the Democratic Party.

My last vote for anyone on Team Blue was with the midterm elections of 2014. It was Year #06 of the presidency of Barack Obama. The primaries were rigged in 2016—not just against Bernie Sanders but also against every person who voted the presidential nomination to Bernie Sanders—and, so, I denied all of Team Blue my general-election votes that year. I followed suit with the midterm elections of 2018. And, in 2020, I did not vote because my father was in the final weeks of his life and, frankly, had the timings occurred separately I would have completely rejected the Democratic Party anyway.

I have written and posted plenty on electoral politics. I follow simply because I like to be aware for as much I can ask of myself. I am also intrigued with the topic of realignment. Not just electoral realignments; but also political realignments. 

Realignments involve, among numerous factors, changes in voting patterns. I am aware that my own voting pattern is possibly realigning. That I am realigning away from the Democrats. Given the fact that, post-2014, three consecutive election cycles—two presidential and one midterm—have passed; and that I will also be denying Team Blue in this year’s midterms (which would make it four cycles in a row); it is likely I am (or have) realigning (realigned); that this is accurate—even if I wasn’t always conscious of this.

I do not trust, and I do not respect, the Democratic Party. So, as the general election draws closer, and this week is five weeks out, there will be more people reminding us…they are with Team Blue. The ones who are most interesting, at least to me, are those online content creators who have been leading on their audiences to tell them they are progressives. That group of content creators, in reality, will do what they can to get their viewers to…Vote Blue [No Matter Who; No Matter What]. They are not progressives. They are…Democrats. They will do this while Joe Biden has—and, as a reminder, [‘Since 2012’] it is (has been) intended—not delivered on any policy issue they have claimed is important to them. There will be some humor to that con job, to prop up a so-called political party which is a scam operation, and that can provide someone who generally has a good sense of humor with some entertainment. When it comes to who I am willing to take seriously, I have tuned out those people. 

I have strengthened my resolve.

Throughout the majority of 2022, with nine months now having passed, I have received plenty of communications from the Democratic Party. I have responded to none. If anyone tries to contact me by phone, as Election Day approaches, and I do not recognize the number, I will not take that call. (That is, after all, what many do—and it is what many recommend others do—for one’s own sake.) After Election Day has passed, I will refer to text and e-mail messages and block those contacts.

I am rejecting the Democratic Party. The entirety of the Democratic Party. I am doing so for understandable, and even responsible, reasons. (Not that any person is required to explain one’s votes.) While I already stated four key reason, the bottom line is this: The Democratic Party has earned it.

I have not necessarily realigned my voting elsewhere. I don’t feel I have to be voting between the two major U.S. political parties. I also do not feel like I must participate by voting in this year’s midterm elections. At the same time, I don’t want to leave this blog topic with any misunderstanding. I do not want readers to conclude that I am lately perceiving both major U.S. political parties to be totally equal to each other in their current forms. (They are not.) One of the two has: rigged their primaries; does McCarthyism; attempted to force people to become vaccinated; and is for censorship. The other major party did not do any of that. 


Five Years Later…

The ball is now in the court for Team Red. I have closed the door on Team Blue. (I dismiss them.) If the Republicans are interested…I will hear and consider them. They will, of course, have to earn my vote (votes). And if they continue losing at the presidential level, because in part we are in a realigning period for the Democrats, and also in part because the GOP are lost, then the Republicans may find themselves experiencing and even facilitating numerous changes that a lot of today’s people—including their current party insiders—may not anticipate or expect. The two major U.S. political parties, both in existence longer than 150 years, have not always remained the same throughout history. My door is open.

Monday, September 26, 2022

Five Years


Sunday, September 25, 2022 marked the five-year anniversary of the launch of Progressives Chat.

I appreciate this as well as this site’s regulars. (A thank-you, again, for helping me goes to cathyx.)

It would be rather lacking for me to not reflect on how I am feeling nowadays, five years in, given there is so much which has happened leading up to this current time. So, I will do that. Next week.

Monday, September 19, 2022

Television’s New Season Is Timed with Milestone Anniversaries

Last week was the Emmys. This week, a new season begins. The 2022–23 television season—well, certainly for the broadcast networks—will start on the same date as this blog topic. (A given week runs Monday through the following Sunday. That is, for the network television with its week-to-week schedule as well as the ratings, advertisements, and such.) And I will admit: I have not made a point to look into the newbies for this now-official 2022–23 season to see what I may want to check out. I am not being generally dismissive. I am simply, by comparison to when I was younger, not making a point to keep up. However, I am reminded, here in 2022, that the start of this new 2022–23 television season is coincidentally timed with numerous milestone anniversaries of past series—many which I appreciated—for when they premiered. The following are: videos, from my YouTube page (set to Public), for each listed series’s main-theme music and credits; and some notable information on listed productions (key cast members, particularly with series leads, and their premiere dates). When considering this, it can feel amazing (note the coincidental date of 09.16.1972) that all this time has passed. 


50 Years | 1972–73 Season

• The Bob Newhart Show (CBS), the fresh comedy about working spouses—one a psychiatrist who has colorful patients—who do not have children but keep plenty of company; starring Bob Newhart and Suzanne Pleshette (who who received two Emmy nominations for Outstanding Lead Actress in a Comedy Series); series premiered 09.16.1972

• Bridget Loves Bernie (CBS), the No. 5 season-ranked among all 1972–73 series; it was created by Oscar- and Tony-nominated playwright Bernard Slade (Same Time Next Year); it was canceled after its first season (due to its controversy of the mixed backgrounds of its lead characters in a romantic comedy); starring pre-marrieds David Birney and Meredith Baxter (its only surviving cast member); 09.16.1972

• The Julie Andrews Hour (ABC), acclaimed variety series (and the winner of the 1972–73 Emmy in that category); starring the 1964 Best Actress Oscar winning star of Mary Poppins; 09.13.1972

• Kung Fu (ABC), the Emmy winner for directing in drama and multi-nominated series, set in the American Old West; it starred an Emmy-nominated David Carradine; its pilot [movie] was broadcast 02.22.1972 and its series premiered 10.14.1972

• M*A*S*H (CBS), starring Emmy-winning Alan Alda (with co-lead roles played by Wayne Rogers, in its first three seasons and, with the rest of its eleven seasons, Mike Farrell); developed by Larry Gelbart (from Robert Altman’s Oscar-winning 1970 film to a multi-Emmy-winning small-screen sitcom awarded Outstanding Comedy Series in 1974); series premiered 09.17.1972

• Maude (CBS), created by Norman Lear and Bud York; starring the 1966 Tony-winning costar of the musical Mame, Beatrice Arthur (who won the 1977 Emmy for Outstanding Lead Actress in a Comedy Series), and Bill Macy; following the top character’s introduction on All in the Family (“Cousin Maude’s Visit,” 12.11.1971, with backdoor pilot episode “Maude,” 03.11.1972); series premiered 09.12.1972

• The Rookies (ABC, which was rebooted to its current version in 2018), with Georg Stanford Brown (future Emmy-winning director for CBS’s Cagney & Lacey which starred his then-wife, and Emmy winner, Tyne Daly), Sam Melville, and Michael Ontkean (who would leave after two seasons and be replaced by Bruce Fairbairn); costarring was pre-Charlie’s Angels’s Kate Jackson (who reunited with Ontkean in 1982’s controversial film Making Love); as a pilot [movie] 03.07.1972 and with its series premiere 09.11.1972

• The Streets of San Francisco (ABC), from well-recognized Quinn Martin Productions; a multi-Emmy-nominated detective drama—filmed on location (according to series title)—starring Oscar and Emmy winner and 27th president of the Academy of Motion Picture Arts & Sciences Karl Malden; backed in support by future Oscar and Emmy winner Michael Douglas (who departed the series in its final season and was replaced by a pre-Battlestar Gallactica Richard Hatch); 09.16.1972

• The Waltons (CBS), the historical drama created by Earl Hammer Jr., set in rural Virginia during the Great Depression and World War II periods; starring Richard Thomas, Ralph Waite, and Michael Learned—and costarring Oscar nominee Ellen Corby and Will Geer (both having won Emmys for the series)—following the Emmy-nominated TV film The Homecoming: A Christmas Story, 12.19.1971. It was the big Emmy winner for its debut season (Outstanding Drama Series and Lead acting wins for Thomas and eventual four-time winner Learned). Series premiered 09.14.1972



(Above is video from the first episode of ABC’s The Julie Andrews Hour. Prior to getting this blog topic completed and published, I had not seen a YouTube video with just its theme. I could not include that with the prior videos. So, please consider this one to be a bonus.)




 

40 Years | 1982–83 Season

• Cheers (NBC), the comedy among friends in a Boston, Massachusetts bar owned by a former Red Sox player; with Ted Danson and Shelley Long (who left after five seasons and was replaced by Kirstie Alley for the remainder of its run); four-time Emmy winner for Outstanding Comedy Series—with a combined four Emmys for its leads—over a period of eleven seasons (and a ten-year time parallel following CBS’s M*A*S*H; they overlapped with the 1982–83 season); series premiered 09.30.1982

• Newhart (CBS), with Bob Newhart and Mary Frann; scene-stealing and Emmy-nominated supporting cast members Julia Duffy and Peter Solari joined the series in its second and third seasons; 10.25.1982

• Remington Steele (NBC), a detective series mixing drama with humor; starring Stephanie Zimbalist and Pierce Brosnan; 10.01.1982

• St. Elsewhere (NBC), the multi-Emmy-winning and unique hospital drama created by Joshua Brand and John Falsey; starring Tony and Emmy winner Ed Flanders (who left the series in its sixth and final season and was replaced by Ronny Cox), David Birney (who was written out after its first season and replaced by Norman Lloyd), and future 25th president of the Screen Actors Guild of America William Daniels; it costarred future Oscar and Tony winner Denzel Washington; 10.26.1982




 

30 Years | 1992–93 Season

• The Ben Stiller Show (Fox), variety series and winner of a writing Emmy (in its genre) which was canceled after 13 episodes and one season (perhaps it was ahead of its time); it featured Andy Dick, Janeane Garofalo (at which time she was also a cast member on HBO’s The Larry Sanders Show, which premiered 08.15.1992), and future Better Call Saul’s Bob Odenkirk; series premiered 09.27.1992

• Hangin’ with Mr. Cooper (ABC), with Mark Curry, Dawnn Lewis (who left the series after its first season due to change in direction and was replaced by Saundra Quarterman), and Holly Robinson [Peete]; Lewis (who cowrote the theme to NBC’s A Different World) and Robinson Peete co-sang the first season’s opening theme with then-sensation R&B group En Vogue; 09.22.1992

• Mad About You (NBC), a romantic comedy about a married couple played by Paul Reiser (who co-created the series with Danny Jacobson) and Helen Hunt; during its eight seasons, Hunt won four Lead Actress Emmys for the series and the 1997 Oscar for Best Actress in As Good As It Gets; 09.23.1992

• Picket Fences (CBS), a David E. Kelley creation and multi-Emmy-winning drama—it won the Big Three in its first season (Outstanding Drama Series, Actor, and Actress)—which was based in a fictional, low-population Wisconsin location, Rome, and addressed timely, real-world issues; starring Emmy winners Tom Skerritt and Kathy Baker; 09.18.1992




 

25 Years | 1997–98 Season

• Ally McBeal (Fox), a David E. Kelley creation with Calista Flockhart in the title role; a rare one-hour comedy series which won the top Emmy (in 1999) for its genre; series premiered 09.08.1997

• Brooklyn South (CBS), a collaborative effort by Steven Bochco (with numerous of his partners from ABC’s then-current NYPD Blue); with top-billed Jon Tenney (then-husband of Teri Hatcher); a 1997–98 Emmy winner for directing in drama (for its pilot episode); 09.22.1997

• Veronica’s Closet (NBC); co-created by Friends’s David Crane and Marta Kauffman; with Kirstie Alley as the owner of a lingerie company; and an opening theme performed by Jeffrey Osborne; 09.25.1997

The season’s biggest freshman hit, certainly with lasting power, and appearing last in the above related video, turned out not to be from the broadcast networks. It was Comedy Central’s outrageous animated comedy South Park, created by Tony, Grammy, and Emmy winners Trey Parker (also an Oscar-nominee for the song “Blame Canada” from its 1999 film) and Matt Stone. The series premiered 08.13.1997.


A number of these noted seasons also had standout midseason freshmen. Their debut seasons were likewise Emmy-eligible. The 1972–73 season also marked the premiere of Barnaby Jones (CBS), starring Buddy Ebsen (and costarring an Emmy-nominated Lee Meriwether), on 01.28.1973.… The 1982–83 season also marked the debuts of two acclaimed and Emmy-nominated comedies (but on for two seasons): Buffalo Bill (NBC), with Dabney Coleman and Joanna Cassidy, on 06.01.1983; and Goodnight, Beantown (CBS), which paired Bill Bixby and an Emmy-nominated Mariette Hartley, on 04.03.1983.… The 1992–93 season also marked the debuts of: Dr. Quinn, Medicine Woman (CBS), set in Colorado’s past and with a two-time Emmy-nominated Jane Seymour in the title role, on 01.01.1993; Homicide: Life on the Street (NBC), a police procedural which won both directing (1988 Oscar winner for Rain Man Barry Levinson) and writing Emmys for its debut season, and with an ensemble cast which included future Oscar and Emmy winner Melissa Leo and 1998 Emmy winner for Outstanding Lead Actor in a Drama Series Andre Braugher, on 01.31.1993; and MTV’s bold Beavis and Butt–Head, created by Mike Judge, with its pilot on 09.22.1992 and with its first season on 03.08.1993.… The 1997–98 season also marked the debut of Dawson’s Creek (The WB), a coming-of-age drama starring James Van Der Beek in the title role with other key roles played by Katie Holmes, Joshua Jackson, and future Oscar and Tony nominee and Emmy winner Michelle Williams, on 01.20.1998. 

Monday, September 12, 2022

Support for ‘Abbott Elementary’

Abbott Elementary’s Quinta Brunson, front row center, Chris Perfetti, left, and Tyler James Williams; back row, left to right: Sheryl Lee Ralph, Janelle James, and Lisa Ann Walter


The 74th Emmy Awards will be broadcast live, on NBC, Monday, September 12, 2022.

This is for prime-time television achievements for the previous 2021–22 season.

After nominations came out in July, and with an awareness for some established series—as well as ones with their first seasons—having been well-received, I decided to spend some time in July and August catching up by streaming their seasons—especially with 2021–22 television season. I figure, “It’s not a bad idea to see what I think. And I may have been falling behind and missing out [to some extent].”

2021–22 nominations for Outstanding Drama Series: Better Call Saul (AMC); Euphoria (HBO); Ozark (Netflix); Severance (Apple TV+); Squid Game (Netflix); Stranger Things (Netflix); Succession (HBO); Yellowjackets (Showtime).

2021–22 nominations for Outstanding Comedy Series: Abbott Elementary (ABC); Barry (HBO); Curb Your Enthusiasm (HBO); Hacks (HBO Max); The Marvelous Mrs. Maisel (Amazon Prime Video); Only Murders in the Building (Hulu); Ted Lasso (Apple TV+); What We Do in the Shadows (FX).

This is a total of 16 productions which comprise the nominations in their respective genre’s top category. Frankly, I did not have that much time. As one who follows the entertainment awards website GoldDerby, I was able to ascertain which ones appear in position to win. I took on three each from drama and comedy for a total of six. (By the way: I trust readers do not need me to explain, in general, what each series is about.)

In drama, I had previously watched the first two seasons of past Emmy champ Succession. It won with its second season in 2020. Its third season aired during Fall 2021. I also took on freshmen Squid Game and Severance.

In comedy, I first went with Hacks and, soon afterward, followed it with last year’s winner Ted Lasso. And then I viewed the freshman Abbott Elementary.

For the 2021–22 season, no matter the respective outcomes of the Emmys, my preferences turned out to be: Squid Game and Abbott Elementary.

They both have in common this: They are about unjust economics in terrible systems which weigh down people. What they also have in common is that they are highly relevant to this current period in history. Last year I wrote and published, here at Progressives Chat, a topic on Squid Game: ‘Why has [“Squid Game”] resonated with a global audience?’. I can simply add that that series is innovative and daring. So, I will move on to Abbott Elementary. 

Abbott Elementary is about an underfunded school in west Philadelphia, Pennsylvania. Its protagonist is second-grade teacher Janine Teagues, played by series creator and executive producer Quinta Brunson, who must navigate the system. Her colleagues include thirty-year, kindergarten teacher Barbara Howard (Sheryl Lee Ralph); fellow second-grade teacher Melissa Schemmenti (Lisa Ann Walter); and fellow instructor Jacob Hill (Chris Perfetti), who hired at the same time as Janine. Joining them is substitute teacher Gregory Eddie (Tyler James Williams), who continues with the first-grade students after one of them made their previous teacher flip. And the school also has the not-qualified principal Ava Coleman (Janelle James).

Abbott Elementary is a comedy which has many reminded of NBC Emmy-winning The Office. It is single camera and has a mockumentary style. But that isn’t enough to describe Abbott Elementary. It is, frankly, a workplace comedy in a school setting. It is a remarkable series with superb performances (with nominations for Brunson, Williams, James, and Ralph). It has interesting, distinct characters. These characters are smart. They are relatable. They have depth. They also evolve. Even the principal, who is inappropriate and vain, proves to be creative and capable.  

Abbott Elementary, which debuted as a preview on December 7, 2021 before it continued in January 2022, has a thirteen-episode count with its first season. (The season-two premiere is scheduled for next Wednesday, September 21, 2022.) The pilot, by Brunson, and which is nominated for Outstanding Writing for a Comedy Series, is one of the best of any series I have seen in years. Streaming and viewing the first season, available on both Hulu and HBO Max, was an absolute pleasure.

Given my preferences for Squid Game and Abbott Elementary, the following question may be asked: Will they win? They both can. But, many on the site GoldDerby figure Succession will win its second statue in drama. (I don’t disagree.) I sense part of this is because actors love the series’ material—and they want to act that kind of material—as it evokes a King Lear-like figure who has adult children and, constantly, they play power games. At the same time, that back and forth reminds me of Wile E. Coyote and the Road Runner. In comedy, I actually think Abbott Elementary will prevail. Over the last month, momentum has built for it. This suggests a rally of support to have it finish on top. There was the Television Critics Association (‘Abbott Elementary is the golden child of TV critics, scoring 4 wins at the TCA Awards’), which prized it with four, including not only Outstanding Achievement in Comedy but also Program of the Year. It also won from the Hollywood Critics Association TV Awards (‘HCA TV Awards: “White Lotus,” “Abbott Elementary,” “Better Call Saul” Lead Winners’). What may be the best precursor came from the two-night, September 4 and 5, Creative Arts Emmys. Abbott Elementary won the 2021–22 Emmy for Outstanding Casting for a Comedy Series (specifically awarded to Wendy O’Brien). Since 2015, the prevailing series with that award went on to win the Emmy for Outstanding Comedy Series. This began with HBO’s Veep, starring Julia Louis–Dreyfuss, which also won in 2016 and 2017. The last four years’s winners, with both, were for separate series: The Marvelous Mrs. Maisel, in 2018; Amazon Prime Video’s Fleabag, in 2019; Pop’s Schitt’s Creek, in 2020; and Ted Lasso, in 2021. I sense this pattern will continue, here in 2022, as a series Emmy for Abbott Elementary would be well-earned.

Here are some published-to-YouTube videos, including two trailers, for ABC’s Abbott Elementary:






Monday, September 5, 2022

Flashback 1972: The Summer Olympics-Turned-Munich Massacre


This week marks the 50-year anniversary of the 1972 Summer Olympics in Munich, West Germany which turned into a politically motivated massacre of eleven olympic athletes from Israel by Palestinians from the terrorist group Black September Organization. (BSO previously assassinated on November 28, 1971 then-Jordan prime minister Wasfi Tal.) 

The 1972 Summer Olympics were from August 26 to September 11. This was an olympics which included the successes of swimmer Mark Spitz; gymnast Olga Korbut; and, three years before his death at age 24, long-distance runner Steve Prefontaine. It was also terrorism.

On September 5, 1972, Palestinians broke into the quarters of the Israelis and murdered wrestling coach Moshe Weinberg, 32, and weightlifter Yossef Romano, 32. They took the remaining nine as hostages and, on September 6, 1972, murdered them at the airport with use of guns and grenades. According to Wikipedia (not the greatest source but good enough for this), four were murdered by bullets and/or grenade: gymnast and weightlifter Ze'ev Friedman, 28; weightlifter David Berger, 28; weightlifting judge Yakov Springer, 51; and wrestler Eliezer Halfin, 24. The remaining five were murdered by bullets: wrestling referee Yossef Gutfreund, 40; shooting coach Kehat Shorr, 53; wrestler Mark Slavin, 18; fencing coach Andre Spitzer, 27; and track coach Amitzur Shapira, 40.

Below are videos—each years old—which cover much of what played out. One such video includes the late Jim McKay (1921–2008) of ABC’s Wide World of Sports, the U.S. network which broadcast the 1972 Summer Olympics, who delivered the grim news to the viewers. Another such video includes then-Israel prime minister Golda Meir’s (1898–1978) decision to launch Operation “Wrath of God” which authorized Mossad, the national intelligence agency of Israel, to assassinate those responsible for the Munich massacre of the Israeli athletes. (Here is a direct link to that video, titled “Revenge Of The 1972 Munich Olympics,” and marked here by YouTube as “age-restricted and only available on YouTube”: https://www.youtube.com/watch?v=iNoeVkot_28&list=PLNB2irY4spE2CuCwSM0LjhvLeOvUl4FFu&index=3 .)

Recommended reading:

•  Olympics attack victims’ families to boycott Germany ceremony

•  Israeli athletes stunned by Palestinian terrorists who rocked the 1972 Munich olympics…

•  How the 1972 Munich Massacre unfolded, through the eyes of athletes in the Olympic village

 





Monday, August 29, 2022

Hinkle–Blumenthal Discussion … 1997 Death of Princess Diana

The above video is a discussion, from last week, between The Dive’s Jackson Hinkle and The Grayzone’s Max Blumenthal. I learned some things I did not know. An example is with the updates on a particular, mentioned publication that I used to read and appreciate.




Wednesday, August 31, 2022 will mark the 25-year anniversary of the shocking death of the former Princess Diana of Whales. I anticipate plenty of media coverage on this milestone anniversary. So, I will not be writing anything more about this. (It was bizarre in its way, in August 1997, as was the August 2022 death of actress Anne Heche. The circumstances, with both individuals, felt crazy.)

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